Asian Art Resource Room

The Japan Foundation Asia Center: Art studies; 4

Beverly Yong, Furuichi Yasuko

2018/3/30

The Japan Foundation Asia Center

Tokyo

Southeast Asia

Japan

p3 About Art Studies 04
The Japan Foundation Asia Center
Introduction
p10 Condition Report: Shifting Perspectives in Asia—a Curators’ Book
Beverly Yong and Furuichi Yasuko (Editors)
Essays
p17 What is Southeast Asia?
p19 The Construction of Collaborative Space and Its Possibilities 2000–2017: From “Under Construction” to “Condition Report”
p25 協働空間の構築とその可能性 2000–2017：Under ConstructionからCondition Reportまで
古市保子（国際交流基金アジアセンター美術コーディネーター）
p31 Toward Reciprocity and Change
p36 相互作用と変化に向けて
崔敬華（東京都現代美術館学芸員）
P41 Shifting Practices
p43 The Provisionality of Southeast Asia: The Value of Shifting Practices
p49 東南アジアの仮設性─揺れ動く実践の価値
飯田志保子（インディペンデント・キュレーター、東京藝術大学美術学部先端芸術表現科准教授）
p55 (p60) Curating, Collectives, and Conversation
Ade Darmawan (Member of ruangrupa)
p66 Unseen Connections: Collective Art Practice and Public Space in Southeast Asia and Japan
p71 集団的芸術活動と公共空間
服部浩之（インディペンデント・キュレーター、秋田公立美術大学大学院准教授）
p76 Curating Histories of Cultural Activism: What Are We Trying to Change?
Lisa Ito-Tapang (Independent Curator; Instructor, University of the Philippines College of Fine Arts)
p83 Negotiating National Contexts
p85 Changes and Uncertainties in Contemporary Myanmar Art
Aung Myat Htay (Artist; Independent Curator; Founder of SOCA)
p90 Laos in Motion
Souliya Phoumivong (Artist; Lecturer, National Institute of Fine Arts, Vientiane)
p93 Institutions, Communication, and Discourse
p95 Communicating with People Behind the Black Mirror
Vittavin Leelavanachai (Independent Curator)
p98 Citizens Learning with Citizens
p103 市民とともに学ぶ美術館・アートセンターの試み
吉﨑和彦（山口情報芸術センター キュレーター）
p108 (p114) Fixing a Broken Paper Boat: On Art Museums and Museum Curators in Indonesia
Bayu Genia Krishbie (Assistant Curator, National Gallery of Indonesia)
p121 (P128) Indonesian Curators Do Not Engage in Enough Debate
Kurnia Yunita Rahayu (Member of Serrum)
p135 Learning, Relationships and Responsibility
p137 Phases of Curatorial Passage
Patrick D. Flores (Curator, Jorge B. Vargas Museum, University of the Philippines)
p142 The Game-maker, the Player, and Levelling the Playing Field
Hoo Fan Chon (Artist; Independent Curator; Member of Run Amok)
p146 Friend First, Colleague Second! A Reflection on the Issue of Trust in Curatorial Practice
Le Thuan Uyen (Independent Curator)
p150 Letting Go of Doubts: My Views on Transnational Curation
p153 戸惑うこと、ほぐすこと─トランスナショナルなキュレーションについての私見
中村史子（愛知県美術館学芸員）
p156 (p161) Curatorial Circuit: Getting Past the Confusion
Ayos Purwoaji (Writer; Independent Curator)
p167 The Earth from the Air: Curating as Diplomatic Work
Alice Sarmiento (Writer; Independent Curator)
p170 Giving Shape to Painful Things
Goh Sze Ying (Assistant Curator, National Gallery Singapore)
p177 Afterword
Furuichi Yasuko
p179 Appendix
p180 fig.01_Collaborative Curatorial Projects by the Japan Foundation
p182 fig.02_Project Structure of “Under Construction”
p183 fig.03_Project Structure of “Condition Report”
p184 fig.04a_Condition Report in 2017
p186 fig.04b_Map

Fukuoka Asian Art Museum

https://www.jpf.go.jp/j/publish/asia_exhibition_history/42_14_artstudies.html#art-studies-04 https://www.jpf.go.jp/j/publish/asia_exhibition_history/pdf/42_ArtStudies-04_Reports_ALL.pdf