After studying in Taipei, Chen Chin enrolled at the Japanese Painting Section of the Tokyo Women’s University of Art in 1925, following the advice from Gobara Koto, and was trained under Yuki Somei Chen became a student of Kaburaki Kiyokata when she graduated from the university in 1929 and was given guidance from Ito Shinsui and others. Her works were admitted in the Imperial Exhibition (Teiten) in 1934 and the New Ministry of Education Art Exhibition (Bunten) in 1936. She became a representative painter of Taiwan modern paintings. Her paintings employed clear and flat compositions, fresh colors and delicate depiction. In her early days, she explored subject matters to search for the identity of Taiwanese, then painted family scenes and members before she shifted to depict Buddhist tales.
After studying in Taipei, Chen Chin enrolled at the Japanese Painting Section of the Tokyo Women’s University of Art in 1925, following the advice from Gobara Koto, and was trained under Yuki Somei Chen became a student of Kaburaki Kiyokata when she graduated from the university in 1929 and was given guidance from Ito Shinsui and others. Her works were admitted in the Imperial Exhibition (Teiten) in 1934 and the New Ministry of Education Art Exhibition (Bunten) in 1936. She became a representative painter of Taiwan modern paintings. Her paintings employed clear and flat compositions, fresh colors and delicate depiction. In her early days, she explored subject matters to search for the identity of Taiwanese, then painted family scenes and members before she shifted to depict Buddhist tales.
日本語